1st Hearing of ELA/SLA
Standards on Tuesday, January 31, 2017
Message from Pat Hardy:
I know this seems like a belated request, but this is the
best time to contact board members to support my motion for the teachers’
recommended revisions to the experts’ draft of ELA TEKS. Here’s how the
teachers’ recommendations were developed:
We began
with the experts' document that received in December and posted on the TEA
website. This is most important. This is not a separate document from that
of the experts. The experts' document was the starting point and basis for this
document.
The final
product reflects collaboration among individuals and organizations including
the following:
- The original writing teams appointed by the board
members
- Writing team subgroup called back by the TEA to check
if the TEKS could be covered in a school year (whose work has been overlooked
as far as I can tell)
- The eight ELAR organizations: CREST (Coalition of English and Reading Supervisors of
Texas),
TCTELA (Texas Council of Teachers of English
Language Arts), TALE (Texas Association for Literacy
Education), TABE (Texas Association of Bilingual
Education), TAIR (Texas Association for the Improvement of Reading), NWPT (National Writing Project of Texas), Texas ASCD (Texas Association of Curriculum Development), and TASA (Texas Association of School Administrators)
- The Higher Education Coordinating Board’s Report
- Victoria Young’s Report (on behalf of TCTELA)
Your help is needed to encourage SBOE members to vote for
the teachers’ recommendations. The analysis and suggestions were developed by
eight state organizations to improve the experts’ draft. (CREST (Coalition of
English and Reading Supervisors of Texas), TCTELA (Texas Council of Teachers of
English Language Arts), TALE (Texas Association for Literacy Education), TABE
(Texas Association of Bilingual Education), TAIR (Texas Association for the
Improvement of Reading), NWPT (National Writing Project of Texas), Texas ASCD
(Texas Association of Curriculum Development), TASA (Texas Association of
School Administrators). Additional suggestions were also integrated from
reports by the Higher Education Coordinating Board and Victoria Young
representing TCTELA.
Please send a succinct email and/or phone message in your
own words to board members (see contact information below) stating your support
for the teachers’ versus the experts’ version. The experts’ standards are
posted on the TEA website (here)
but are also presented in this document with the teachers’ version highlighted in blue.
There will be a public hearing on Tuesday, January 31 with a
preliminary vote on February 1, 2017, and a final vote for 1st
hearing on Friday, February 3, 2017. Pat Hardy will make a motion at the SBOE
meeting on Wednesday for acceptance of the teacher’s annotation to the experts’
draft. Please compare both versions and share your support for the teachers’
recommendations before Tuesday. The version receiving the vote will be posted
on the Texas Register for public commentary for 30 days. Second reading and
final adoption will be April 18-21, 2017. You may sign up to present by 5:00
p.m., and you may watch webcasts of SBOE meetings (here).
Send an email to your SBOE
representative and cc these two TEA email addresses: sboesupport@tea.texas.gov and to renee.jackson@tea.texas.gov. The
first email will send your response to all board members; the second address
will go to Renee Jackson at TEA who will keep a count of emails received
regarding TEKS revisions. Her contact numbers are: SBOE office (512) 463-9007
and fax (512) 936-4319. Here’s the link to find your SBOE representative: (here).
Your brief response needs to be
sent soon before the 1st hearing to let board members know you
support the teachers’ annotations to the experts’ draft.
Thanks so much for sharing your voice in behalf of teachers
and students in Texas.
Pat Hardy
District
|
Name
|
Area
|
Phone
|
Email
|
1
|
Georgina Perez
|
El Paso and Southwest TX
|
915-261-8663
|
|
2
|
Ruben Cortez
|
Corpus to Rio Grande Valley
|
956-639-9171
|
|
3
|
Marisa Perez
|
San Antonio
|
512-422-9019
|
|
4
|
Lawrence Allen
|
Houston
|
713-203-1355
|
|
5
|
Ken Mercer
|
San Antonio
|
512-463-9007
|
|
6
|
Donna Bahorich
|
Houston
|
832-303-9091
|
|
7
|
David Bradley
|
Galveston-Beaumont
|
409-835-3808
|
|
8
|
Barbara Cargill
|
North of Houston
|
512-463-9007
|
|
9
|
Keven Ellis
|
Behind the Pine Curtain
|
512-710-7915
|
|
10
|
Tom Maynard
|
Austin
|
512-763-2801
|
|
11
|
Pat Hardy
|
Fort Worth
|
817-598-2968
|
|
12
|
Tincy Miller
|
Dallas/Plano
|
214-522-1610
|
|
13
|
Erika Beltran
|
Dallas-FW
|
650-269-8544
|
|
14
|
Sue Melton
|
Central TX/Denton
|
254-749-0415
|
|
15
|
Marty Rowley
|
Panhandle
|
806-374-4600
|
Explanation of the Teachers’
Annotations
Today I
present the English Language Arts and Reading Texas Knowledge and Skills
document begun by the teacher writing teams and further refined by five
“experts” chosen by the State Board of Education. During the past year the
teachers, the leaders of the nine literacy organizations (CREST, TCTELA, TABE,
TALE, TASA, ASCD, TAIR, Texas Writing Project and TABE) worked together with
many web-based meetings. The five “experts” met over the course of the last
five months both in person and on webinars, and finally the literacy
organizations met to align the document both vertically and horizontally across
the K-12 grade levels. Additional feedback from the TCTELA forum under Victoria
Young, Regions 4 and 6, Fort Bend County, Barbara Cargill, Collaborative for
Children, and Chairperson Donna Bahorich are included.
Even though
the “experts” met several times, there was still not enough time for the final
development of full alignment and final checks for developmentally appropriate
standards. We greatly appreciate the four pages of careful suggestions from
Victoria Young as well as the contributions from the Texas Higher Education
Coordinating Board and the bilingual community. Presented here is the most
recent copy from the work of the writing committee and the five “experts” who
further aligned and refined the ELAR document. Below each cell is carefully
crafted wording suggested by the nine professional organizations and Victoria
Young who further refine both wording and alignment. Outlined below are
suggestions that explain this well-crafted document.
The
Introduction remains
generally consistent with the change of eight to seven strands that currently
exist: Foundational Skills, Comprehension, Response, Multi Genres, Author’s
Purpose and Craft, Composition and Speaking, and Inquiry and Research. The
introduction outlines the philosophical thinking for standards in today’s
English language art and reading classroom, with a heavy emphasis upon
thinking. The introduction explains the structure of the seven strands and how
it parallels and augments the teaching and learning of the language arts.
Furthermore, there is explicit attention paid to the English Language Learner
(ELL), and to culture and the historical context of language and literature.
Strand
One, Foundational Skills
sets the stage for the importance of self-selected texts and oral language as
the foundation of the language arts followed by the skills involved in learning
to identify words, vocabulary development, fluency, and collaborate in the
learning of the language arts.
•
Self-selected text is placed at the beginning as per a request from nine
members of the SBO.
•
Summarization is deleted because it is covered under comprehension.
• Oral
language is
refined.
• Fluency
wording is more carefully aligned.
Stand Two,
Comprehension has
very few suggested changes.
• The word
“revise” is added to the reading process.
• The words
“Self to Self, Self to Text and Self to Word” are added to the section on
making connections because that is the language teachers and students know and
use.
• Other
changes to strand two only help make the wording of the experts’ draft more
concise and accurate.
Strand
Three, Response adds
very few changes with only a few language changes for conciseness and accuracy.
These few changes in this area address the THECB comments to have thinking
stressed across the genres and processes.
Strand
Four, Multi Genres
adds the words “American, British and World literature” to the Knowledge and
Skills statement becauseK-12 teachers draw from many resources, rather than
listing possible genres which limit possibilities. Broad categories (story,
drama and poetry) are preferable.
• The words
“cultural and historical” are added.
• Multimodal
is re-introduced as per requests from nine members of the SBOE because this is
what students are reading today from many types of reading modes.
• Literary
nonfiction is added to the Information section.
Strand
Five, Author’s Purpose and Craft
re-introduces the word “purpose” because purpose drives the reason for writing
and reading, speaking, listening, and thinking.
• Teachers
request that literary devices not be introduced until 3rd or 4th grades.
• There are
over 160 rhetorical and literary devices used in literature, so teachers
suggest that “such as” be used and no specific device required at particular
grade levels. The readings dictate the literary devices to be studied and used
in writing with mentor texts.
Strand Six,
Composition and Presentation
includes few changes.
• As per the
THECB some consolidation is made in the grammar section.
• Presentation
is placed back into the knowledge and skills because the same expectations are
required for both composition and presentation.
• Changes in
this section are only for clarity.
• Spelling is
also entered here from K-12 with “adult assistance” in K-1. The encoding
process is spelled out in the Foundation Strand One.
Strand
Seven, Inquiry and Research
includes only slight changes to align and clarify so that vocabulary is
consistent across the grades.
Key Points about Teachers’
Annotations for Improvement
to the December Experts’
Draft
- The framework of the seven
strands allow local school districts flexibility for local curriculum
design by integrating student expectations from any or all strands into
units of study to meet specific needs of students.
- It
is important to develop curriculum from an aligned document since skills
are recursive and progressive, with no need to repeat specifics across
grades.
- Some rows are
combined to keep topics on the same lines and to group items so that they
span the grade levels (editing for semicolon use
collapsed into punctuating with semicolons).
- Some
suggestions to move rows are made to show developmental progression of
skills.
- Skills are higher order as a
result of verb changes (using “analyze” rather than “identify” and
“revise” rather than “correct”) and more rigorous as a result of moving
skills to lower grades where appropriate (starting complex sentences in
fourth grade rather than sixth grade).
- Phrasing is clearer (“text to
text” rather than “ideas found in other texts”).
- Phrasing provides greater
flexibility in teacher choice of texts and materials (using “such as”
rather than “including,” or in some standards, removing examples
altogether).
- Terms are
clarified (“informational text” defined as literary nonfiction,
historical, scientific, and technical; “information” defined as “viewed,
heard or read”).
- Terms are
consistent (using “thesis” in K-12 rather than confusion with grade
band-specific “main idea”/”controlling idea”/”thesis”).
- Terms are
holistic, encompassing a range of elements (using the term “personal
connections”; using the term “features” to encompass print, graphic, and
digital features).
- A knowledge and skills
statement and additional expectations for collaboration omitted by the
experts are added to Strand 1 (1.6) to situate the student expectations in
a context.
- Skills are
clearer as a result of removing redundancy (“work productively with
others” rather than “work collaboratively with others”).
- The
Multi Genres strand’s knowledge and skills statement addresses the need
for diverse texts and includes American, British, and world authors
because they are studied not only in literary texts but also in
informational and argumentative texts at all grade levels instead of
designated for specific grades in high school.
- The
Multiple Genres strand is preceded by expectation (A) focusing on how forms and structures are the same and
different within and across genres. The
subcommittee charged with determining if the TEKS could be reasonably
taught in one year suggests that (A) be struck from the proposed
standards. If Multiple Genres (A) remains, students would not be able to
master the proposed standard in a year.
- The
Multi Genres strand integrates the two separate sub strands for literary
elements and literary genre in the experts’ draft into sub strand (B)
literary texts. Because of this reorganization, the numbering of
recommended sub strands out-of-order will be corrected before publication.
- Text
forms and structures are also addressed in the student expectations in
Multiple Genres (B-literary, C-informative, D-argumentative, and
E-multimodal) K-12 and in Author’s Purpose and Craft (B) for K-12.
- Multimodal texts (omitted in the experts’ draft) is added to
Strand 4 (E) in acknowledgment of how texts combine modes and ways in
which modern texts have changed and will continue to change.