I just got off the phone with TEA. I have tried to replicate what I learned with fidelity to TEA's message; however, I realize that there are probably ways that I state my understanding that TEA would NOT officially endorse.
(For background understanding of why I called TEA: I have been getting a
lot of questions about how the essays were scored, what we can do to improve
scores, and the possibility of offering a scoring training.)
- TEA
is aware of inconsistencies in scoring and are addressing them as well as
they can with the “constructs of the contract.” There is a rescoring
policy in place if you feel there are papers that need to be reconsidered.
- They
HAVE NOT changed their tenets to value formulaic writing. TEA’s advice about authentic products is still in place.
- Paragraphing is great in the real world. Real world writing is
not constrained by genre or 26 lines. They do NOT look at paragraphing AT
ALL for STAAR.
- The
biggest problems are with essays that try to follow these patterns:
- 4
paragraph essays with no ideas fully developed; they repeat or say
nothing. There’s not enough room in 26 lines for 4 paragraphs.
- 3
paragraph essays with two body paragraphs that contain examples. The examples
don’t say much. (In other words, the ideas are not developed.)
- Perfunctory
transitions like first, next, finally do nothing for the paper. Transitions should link the ideas between paragraphs and connect back to the thesis.
- Kids
are not planning or prewriting in their booklets. Only about 30 percent
are doing anything at all. And most of those just start writing and then
recopy what they wrote onto the answer document.
- TEA
recommends that we focus more on the PLANNING element of prewriting.
- TEA
recommends that we help kids have the courage
to cross out stuff/delete information that does not go directly with the
thesis. (I thought that was a nice way to say that.)
- Kids
are still getting stuck in the box/stimulus. The 4th graders last year really had a problem with that. (We need to help them find
the prompt – the writing charge.)
- Biggest
problems between 1’s and 2’s were: no thesis and weak conventions
- Biggest
problems between 2’s and 3’s was development of ideas and organization.
Kids who used anecdotes included too much information that didn’t connect
back to the thesis. There was too much repetition.
- Biggest
problems between 3’s and 4’s was still development of ideas and
organization. Kids who could use historical information and cultural facts
accurately seemed to do the best. Using knowledge from other disciplines
seemed to work well. Organizational structures really pushed the papers up
to a 4. They try to include these examples in the scoring guides. (I would
add that this is not demonstrate causality. Writing about history or
culture is not going to get you a 4. It’s just that kids who are doing
better in writing have more knowledge and schema to draw from.)
- There
is always a lot of talk about addressing the prompt. TEA is responsive to
kids and allows the kids to approach the prompt however they choose. For example,
the fourth grade essay about meeting someone they have never met? They
allowed kids to write about fictional characters, JJ Watt, and even allowed
a kid to write about meeting a grandmother for lunch as long as they talked about that person AND why they wanted to
meet them.
- There
is a technical digest published that gives us guidance on how raters are
trained. Look at this link, starting on page 16: http://tea.texas.gov/Student_Testing_and_Accountability/Testing/Student_Assessment_Overview/Technical_Digest_2015-2016 The new one for last year should be published in February.
- They
use the scoring guides as the anchor papers for the training sets. We don’t
have those for last year’s testing yet, but we have them for previous years.
- They
were going to provide us with an
online training guide that ETS uses for training raters. Because of the
changes in TEA organization and budget, this probably will NOT be released.
- The
new organizational structure will take place after September 1st.
There will no longer be a distinct division between Content folks and
Assessment folks. Staff will be working on BOTH content and assessment.
Thank you, Shona, for giving us this information. Not all of this was given to us today and I think all of it will be very helpful in our writing planning for tomorrow. You rock my socks!
ReplyDeleteThanks, my dear. Forever at your service.
DeleteThanks, Shona. We welcome anything to guide us on this bumpy ride!
ReplyDeleteThanks. I'll keep working...
DeleteSo maybe shoot for in draft process going when two strong examples and revising to keeping one that best supports prompt? Using unique transitions and draw from broad base of examples. In other words - give them lots of choice to read from too. Thanks Shona! I had some strong writers receive 2s when I know it was better than that. Let us know if there is training to help us out.
ReplyDeleteI like the idea of revising to keep the best example. That fits with the advice to have the courage to cross stuff out. We are working on training. Will keep you posted.
DeleteFind familiar authors who went through laborious efforts to edit their work.
ReplyDeleteOne example is "What Pet Should I Get?" By Theodore Geisel (Dr. Seuss!) He left his editing efforts to be published!
Janet Stevens also published a non-fiction selection showing her edits, storyboard ,etc. Read some of her work to prepare Ss.to appreciate the editing PROCESS..."Cook-a-Doofle-Doo," "Tops and Bottoms" are two that elementary STAAR writers will enjoy.
Then teachers should be writers, too. Don't be afraid to talk your SS through your editing process.
Dorothy Grant Hennings said, "Good writing doesn't come off 'lickety-split'."
Nice examples. :) Thanks.
DeleteEdit= Doodle should be Doodle
ReplyDeleteJanet non fiction selection mentioned above is entitled "From Pictures to Words."
I was wondering who calculated the pre-writing percentage? Do the readers see the pre-writing pages? Or is this information coming from TEA going through the STAAR tests?
ReplyDeleteThe contact at TEA was making a reasoned guess about what they see in the booklets. Yes - it's from TEA looking through the booklets. They see very little prewriting and what they do see is mostly drafting. Readers who SCORE the papers do not see anything other that what fits in those tiny lines.
DeleteDo you happen to know what happens on the school level if a student doesn't pass the writing section of the STAAR? Daughter is in 7th grade if that matters.
ReplyDeleteAt the school level, all student scores are calculated in the accountability ratings for the school. So the failure can negatively impact the school rating. Children usually never know this. In terms of the child, what happens at the school level varies. The child is not held back for the next grade level. The next time students are assessed in writing is in the ninth grade. The school may choose to have the child participate in writing interventions in 8th and 9th grade, but that is up to the school and varies greatly. You'd have to talk to your child's teacher.
DeleteThank you so much for both getting and sharing this info!
ReplyDeleteThanks, Steve. Just trying to find a way to help...
DeleteShona can you tell us who you are? Who do you work for? Your credentials? I am pleased with the information you have shared. I still go back to the very simple premise that unless individuals are READERS they can not write. Period. Vocabulary development, the ability to see what good writing looks like (and there are MANY different forms of good writing), and the opportunity for individuals to develop their own unique style can only happen if they are reading lots of books and reading regularly. Writing should also happen across ALL content areas and writing should happen every day.
ReplyDeleteThanks for your submission and I look forward to your response.
Hello, Unknown. You are so articulate in expressing what makes good readers. I'd love to make your acquaintance as well. I'm Shona Rose, a Learning Leader for Region 16 in the Panhandle of Texas. I am working on my dissertation at Texas Tech in C&I with a specialty in Literacy, Diversity, and Language. I learned to love writing pedagogy from Dr. Joyce Armstrong Carroll and will complete my Diamond level training certification for Abydos this year. This is my 27th year in education.
DeleteThis comment has been removed by the author.
DeleteI obtained my Masters in C and I, then went on to obtain mid-management certification. I have worn many different hats in education. My husband is a university professor. He obtained his doctorate at U. Mass. and did post grad work at Harvard. We have daily conversations about what impedes student success in Texas. (Texas not being unlike many other places...) Sadly there is a preponderance of non-readers...My husband encounters pre-service teachers (!) that boldly state they hate reading! Its with disbelief I read their words! If a carpenter stated they "hated" wood, I would advise they seek a different vocation... Education is a total TEAM effort, and instructors, (no matter what their content area), who do not support reading and writing are themselves part of the problem. (When I was in the classroom, I was a secondary science instructor). Recently Ft. Worth closed their only Barnes and Noble bookstore. Texas sells fewer books than any other state. Why do I mention these facts? Because it reflects the values of a culture. Again, this is only one facet of what impedes writing development...Culture is a very difficult thing to change.
ReplyDeleteThanks for posting the useful information to my vision. This is excellent information,.
ReplyDeletehttp://trendingjobz.com/corporate-training.html